Hello there, AGies!
I'm new to the community, but have been playing guitar way longer than my abilities suggest.. going on 45 years.. but just acquired a dream guitar from my "youth"... a mint Gurian S2M from 1976..
Anyone else out there own one.. or other model.. I'm trying to get some details on orignal recommendations for string gauge or setup info. on this elusive instrument... can't seem to find out a lot about them.. or the builder, Michael Gurian.. though I understand he is considered to be one of the early boutique builders and mentor to a number of renowned modern luthiers.. Froggy Bottom, Cumpiano, and others. Maybe trade some sound clips?
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Permalink Reply by Regan Mulligan on March 3, 2011 at 5:19pm Hey Bob...
I have the mint '76 S2M w\ OHSC and K&K mini western.. In New Haven CT, ~ 40mi from NYC... could even meet if your friend is interested..That darn GAS!!
Permalink Reply by guitargarden on March 8, 2011 at 2:12pm Hi Gurian Owners,
Used to live in New Hampshire and, unfortunately, somehow missed out on discovering Gurians back then. How do you describe the sound of an S2M or S2R Gurian? How does it differ from other guitars you've played? How do they compare to an S3M or S3R? Which one is closer to an 00 or OM? How are they for strumming?
Thank you.
Permalink Reply by David Johnson on March 8, 2011 at 4:47pm I'd put Gurians of comparable woods and size in the same camp with Goodall, Froggy Bottom and perhaps Fylde. Emphasis on harmonics, overtones and balance. One thing of particular note, Gurians don't get tinny or lose depth in the upper frets the way most guitars do. Size 3 Gurians are roughly OM size, though the dimensions are a bit different. They have a history on stage and as recording guitars. Size 2 Gurians are a bit smaller and totally lovable, but they work best in really intimate settings or the recording booth - the tone is so sweet you might not notice it at first, but play it next to a size 3 and you'll hear a bit more bottom end in the 3.
I'm probably not the best person to ask, come to think of it ... I like them all! I've given a S2R to my youngest daughter. I've got a S3R reserved for my older daughter (and another "keeper" S3R for me). I once gave a S3M to my brother. And I'm always on the prowl for a reasonably-priced S2M, since that's the guitar that taught me to love mahogany. So although I gravitate to the S3R overall, I just can't leave you with the impression any of the others are somehow lacking. They aren't. For strumming, sing-alongs, personal couch play, etc., if you have access to a S2R or S2M, either will make you smile every time you pick it up. If you're playing in a band or with other loud guitars, though, you might consider the size 3.
Coincidentally (says the infomercial), I'm listing a remarkably nice S3R on eBay later tonight ....
David
Permalink Reply by guitargarden on March 8, 2011 at 5:09pm David,
Thanks for your information filled response. I certainly appreciate the wood and workmanship of a fine guitar. I have a Webber OM (mahogany b/s) which I like very much. While I'd certainly consider an S3R or S3M if the price is right, I may be looking more for the S2R or S2M for now. Yes, I'm looking for that couch guitar, not one to be played with other guitars. Thanks again.
Permalink Reply by Regan Mulligan on March 8, 2011 at 5:27pm Guitargarden...... if you're interested in a mint S2M, please contact me offline at rjmulligan@snet.net for pics or additional info..
Regan
Permalink Reply by Regan Mulligan on March 8, 2011 at 5:19pm Here's an '76 S2M, double-tracked with a little reverb in ProTools.. it's fat with a high-end shimmer and lot's aof wood and overtones..Size-wise, I think their compared to a "grand concert" .. or an OM I would think...a little deeper in teh body, but a little narrower in the bouts than a 000. Here's the specs on mine..
Upper Bout 11 1/2"
Lower Bout 14 5/8"
Depth at Tail Block 4"
Depth at Neck Block 3 5/8"
Top Sitka Spruce
Back / Sides Mahogany
Headstock Brazilian Rosewood
Bridge Brazilian Rosewood
Fretboard 14/20 Ebony (dotless - side position markers)
Tuning Machines Chrome Schaller
Nut/Saddle Ivory
Binding Rosewood
Purfling Herringbone
Long Scale 25.75"
Nut/Saddle Width 1 5/8", 2 1/4"
Permalink Reply by guitargarden on March 8, 2011 at 5:35pm Great playing! I can definitely hear the highs, and some mids. Size-wise, the upper bout is the same as my Webber OM and the lower bout is 3/4" smaller. The depth is about the same (3 1/2" and 4", respectively). Not sure how the waist compares. How is your Gurian for sitting and strumming? Thanks.
Permalink Reply by Regan Mulligan on March 8, 2011 at 7:21pm
Permalink Reply by guitargarden on March 9, 2011 at 4:44am All good to know.Sounds like a versatile guitar! Are any strumming soundclips available?
Permalink Reply by John Norris on March 9, 2011 at 9:50pm Personally, I would not compare any Gurian to conventional guitar styles like 000, OM etc. , its still different from anything else out there even after all these years.
The Gurian body has more in common with a deep bodied classical guitar (MG's initial instruments were classicals and ouds in the mid 1960s).

Its shape is very similar to a classical, it is fan braced instead of the usual x system (more volume!), its neck to body join employs no glue, fastened instead with two tapered ebony pins, its flamenco neck is faster than a standard acoustic neck and the scale length is the longest I have ever experienced with acoustic guitars. The truss rod system is a double tape-wrapped over and under system, even the headstock is unique.
That all culminates in a unique guitar that you really have got to play and feel to experience properly.
A Gurian has the sound, mojo, pedigree and character of an original.
Permalink Reply by Regan Mulligan on March 10, 2011 at 4:55am
Permalink Reply by bob marion on April 26, 2011 at 2:27pm
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