Since I am introducing this topic, I suppose I should lead by example and answer my own question. My entre into bluegrass was probably just the reverse of most folks. My experience with others…Continue
Started by Ken Bellingham. Last reply by Daniel David Trent Sep 12, 2012.
Though I've been exposed to bluegrass music most of my life, I really never learned how to really play it. I don't have a lot of interaction with Bluegrass players, and find myself on the 'needy'…Continue
Started by Phil Manuel. Last reply by Phil Manuel Jul 19, 2012.
Just looking for input on a question that I get asked frequently.Why is it that probably 98% of all Bluegrass pickers play either a Martin or a specially made Martin clone?Thanks to Doc Watson, you…Continue
Started by Jud Hair. Last reply by Michael S. Jackson Jun 10, 2012.
MARCH 29, 2012 Dear Diary – I awoke a bit earlier than usual today because it is my birthday. Not that I look forward to getting older, now that I have significantly fewer Winters in front of me than…Continue
Tags: Banjo, Bluegrass, Gibson, Scruggs, Earl
Started by Michael S. Jackson. Last reply by Michael S. Jackson May 10, 2012.
Comment
Comment by steven picheta on February 9, 2011 at 3:39pm
Comment by Michael S. Jackson on February 8, 2011 at 6:45pm
Comment by Ken Bellingham on February 8, 2011 at 1:21pm Hi Michael,
Welcome to the group. It might be presumptuous of me to speak for the group, but I am glad to see you here, and I expect the others are as well. Steven just began the group fairly recently, and we remain small in number, and so far, fairly inactive. However, I would expect it to have great potential among guitar players, so I am hoping to see it flourish. Possibly, many others consider that it has too much overlap with the "Flatpickers" discussion group to require a separate division, but flatpicking as a playing technique is applicable to many genres of music. Bluegrass music, or acoustic string music which has developed out of bluegrass is what I listen to most often and what I am most interested in learning to play. With your thirty years of experience, I expect you will have much to contribute.
Thus far, the five of us here are also members of the "Martin Owners" discussion group, so in that sense we are already somewhat acquainted. Your interest prompts me to initiate a new discussion topic that might enable us to become better acquainted.
Comment by Michael S. Jackson on February 8, 2011 at 12:06pm If you'll have me, I'd like to join this group. I've been playing bluegrass for 30 years, primarily banjo and guitar but also a bit of fiddle, mandolin, and dobro.
I'm curious what is written on the guitar in the picture....?
Comment by steven picheta on February 4, 2011 at 4:23am
Comment by Ken Bellingham on February 3, 2011 at 7:46pm For CDs, check out www.bluegrasssupply.com
www.acousticdisc.com (David Grisman)
www.fgmrecords.com (Flatpicking Guitar Magazine)
CDs, guitar tablature, and instructional material available at:
www.flapickingmercantile.com (Flatpicking Guitar Magazine)
www.musixnow.com (Dix Bruce)
www.flatpik.com (Steve Kaufman)
www.homespun.com (Happy Traum)
A couple of guitar tablature books I have really enjoyed learning from are by:
Jack Tuttle www.jacktuttle.com
and Rick Williams www.bluegrassbooksonline.com
Flatpicking Guitar Magazine provides a lot of tablature in every issue, and you can get an accompanying CD with each issue to hear what is printed on the page.
Also, explore these websites:
www.theguitarport.com/instruction.htm
This is hardly an exhaustive list, but it will get you started.
Comment by steven picheta on February 3, 2011 at 5:50pm
Comment by steven picheta on February 3, 2011 at 3:40pm
Comment by Ken Bellingham on February 2, 2011 at 5:07pm I agree with you entirely Linus. So much of the tone comes from a player's hands. Have you listened to the first "Tone Poems" album with David Grisman and Tony Rice playing mandolin / guitar duets? The idea of the album was to feature the instruments, so each track was recorded using a different pair of instruments. But they are both such good players that I was struck more by the similarities than by the differences in the sound of the instruments.
Have fun in your search for a new guitar. You don't have to be in a hurry. The search is a good part of the enjoyment, and it can take a while to make meaningful comparisons and to develop your ear to hear some of the differences. Playability is also important. After playing for a while, I became more particular about the shape and width of the neck, for instance.
I have long been a fan of Martin guitars. For sure, if an HD-28 is in your budget, that's going to be a top contender for your wallet. I have a friend who brings one over to play. It sounds wonderful, and he is greatly infatuated with it. I have two other friends who own D-18 GEs, and they also sound marvelous. Mahogany is probably underappreciated as a tonewood, but it has great warmth. Sitting across from these guys when we are playing, I think I get to enjoy their guitars more than they do, because you get the fuller sound out front than from behind the guitar playing it.
If you are hesitant to make that kind of investment just yet, check out the line of Blueridge Guitars. They seem to be pretty high quality for the money.
I have a lot of respect for the Seagull guitars, by the way. I steered a friend into buying one for his son a while back. Before you purchase another, you should decide exactly what you want from a guitar that your Seagull is not delivering.
So what tunes are you working on?
Comment by Ken Bellingham on February 2, 2011 at 12:12pm Have you listened to what James Nash of The Waybacks can do on his Santa Cruz OM? Of course, I realize that most of what The Waybacks play is not bluegrass, but James grew up around Nashville, and I think he cut his teeth on bluegrass. I have heard him rip off some blazing fiddle tunes. But I agree that the Martin drreadnought is the traditional choice. Bluegrass is considered traditional American music, and bluegrass players are inclined to be traditionalists by nature, so it may only be for that reason that jumbos are not often seen in bluegrass bands, since they were a later development in the evolution of guitars. I have very little experience with the jumbo model, but I would expect that they would fit in very well in a bluegrass ensemble.
Welcome to the group Linus28. I understand you were only being facetious, but it was an opportunity to register a comment and reply to both you and Steven. Of all the groups on this website, this Bluegrass (Pickers) group is the one closest to my own musical interests, and I would like to see it attract more members and flourish.
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