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Started by Greg Nelson. Last reply by Luis Motta da Silva May 13.
Started by Luis Motta da Silva. Last reply by Michael S. Jackson May 6.
Started by Luis Motta da Silva. Last reply by Luis Motta da Silva May 5.
I like it very much. The lute like shape of the body works well with the thin bridge.
Yes, the top is European spruce, but I can't tell you what kind. I bought it very cheap - about 20 or 30 euros - from a lady that sold tonewoods. Years later I found she bought woods from Maderas Barber (Spain). It's not a first choice spruce, but it was quartersawn and well dried, so, I took it. Just for curiosity, other woods in the guitar are African mahogany (sapele) for the back and sides, African Muteno (so I think) for the neck, and Brazilian Sucupira for the bridge and fretboard. The soundhole contour is made of Vinhático (probably from Madeira island, where it is almost an extinguished species, unfortunately; but there still is Vinhático in Brazil)...
Here's the whole instrument. It was custom made for a jazz pianist from Wales that decided to spend his old age years in Portugal. He saw a mandolin made by me and said, "you know, I like to play 4-string banjo, it's a good instrument to search for harmonies, uncommon chords and the like. But I like the sound of guitars... would you make a banjo that sounds like a guitar, just for my whim?" - I said I could try, and here's the result. I had great pleasure making the instrument, it was my first "order" from a "customer", so, I charged him only the cost of woods and other materials. That was back in 1997...
In case you want to see some detail pictures, I can send them directly to your e-mail address (would't be fair to put a lot of pictures in this thread...)
...and Luis, what kind of wood is that top wood? I'll guess some sort of Spruce but the picture makes it look so striped. Lovely bridge too!
Hi, fellow guitar makers!
1) About accidents: One thing that amazed me at the guitar making course I attended was the fact that, although each one of us made an instrument at the course, working many hours a day, there were only minor cuts - and there were 22 of us. I guess this is due to the fact that we were constantly being asked to sharpen our tools (I used to call ourselves "The HONING stones"music group), and we were taught to always anticipate the movement of the tools, always cut outwards, and always keep our eyes on the job. I guess this is 100% important when you use hand tools, and 200% when you use power tools.
2) In classic guitars, I'm absolutely conventional, I make standard bridges for my guitars. But, when it comes to steel-stringed instruments, I give myself some latitude. This one is surely not as uncommon as Charles F. Morrison cartwheel shaped bridge showed in this thread, but I still fancy it. I used Brazilian Sucupira wood to make it.
I had an incident with a table saw about ten years ago. I had loaned my truck to my daughter,and was home alone. After I cut myself, I took a shower, and finally got in touch with my daughter. She brought me my truck, and I drove myself to the hospital. The ER nurse scolded me because I took a shower before going to the hospital. I told her, that she should be glad. I still have no feeling in my thumb, but it only cut into the pad of the thumb. I was doing something that you should never do, and it cost me. Think before acting. If it seem dangerous, it probably is. Don't do it. Power tools will remove appendages. Simple as that. And hand tools will hurt you to. Learn how to use them, and protect yourself. Most accidents can be prevented. I still have all my fingers, and need them. I am a finger style guitar picker and banjo player. And I build guitars, which takes fingers and hands to do. At least it is a lot easier with all your appendages.
Wow, Edward! Glad you still have your finger with you!
Look at my middle finger on my fretting hand in the picture below...
Don't push power tools! I had an argument with a table saw and it won! We had a gig about a month later and although it had healed quite a bit by then, my finger was still red and scarred! I was told I was very lucky and when they told me they would be glad to remove the scar, I said "No way, I want to see that scar every time I use that saw to remind me of how stupid I was and what I could have lost!"
I'll throw in my seconds thirds and fourths about sharp tools. Aside from the safety issues, it's very difficult to do clean work with a dull tool.
John, I can't really give a good answer to the volume and projection question. This is a different body shape than I usually use and so I don't have a lot of references to judge from. It seems to be in the nice and loud category, but I can't say it's louder than it would be with a standard style bridge, I just don't know.
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