Or, like me, you might decide that even though you graduated from college 20-some years ago and could afford a much, much better guitar, you just don't want to.
There are opinions and judgments, and sometimes salespeople will make comments that are self serving. There is less profit margin on lower priced Martins, and there a snob aspect to many Martin owners. There are collectors who say "They don't make Martins like they used to." (Actually, they do...if you've got deep pockets.)
All Martins made today from the D18 series up are called standard Martins. They all have solid tonewoods and varying degrees of traditional manufacturing. Depending upon appointments, details and rare woods, they can cost more than even wealthy professionals care to spend. (D100 is about $110,000.)
It's less cost effective for features like hide glue, dovetail neck joints, and expensive tone woods. How much difference these features make in the sound is a constant debate. The lower series Martin guitars 16 series, 15 series, One series, and X series usually have less ornate features, and no dovetail neck joints, but they also benefit from advanced technology. There are no more Road series (veneer) Martins made, and with the progressing rarity of exotic tone woods, Martin is trying to build a bigger market for hpl (a formica like comibination of highly compressed material 60% wood fiber and 40% resin with a photo finish), and less rare tonewoods like cherry. These guitars still have the basic Martin design and much of the Martin feel and sound and they get better as they age. Personally, I prefer the A frame X bracing on the 15 series and the SW series to many standard Martins. I like the micarta fingerboards and the stratabond necks. These are are stronger than traditional Martins.
Don't be surprised if your DX1 ends up sounding as good or better than solid wood Martins. It's the top that makes the most difference in the tone, and the DX1 series have only a slight hand rubbed poly finish. I have a DCX1 that sounds great...not as good as my 1971 D18, but my D18 sounds a lot better than it did in 1971. Mexican made X models use the same machinery and technology as the Nazareth plant uses.
They make sure the high price Martins sound great before they leave the factory, but they don't make sure the lower price one sound inferior. Sometimes, the non standard Martins sound even better than more expensive Martins.
The newest rage is the Performance Artist series which is built with 16 series specs and high end electronics. Traditionalists may say they're not a real Martin, but for stage work and recording, they are first rate.
Right after I bought my DCX1 our local store received another shipment from Martin with a Tawny Satinwood. It cost a little more than I expected for hpl and I was interested in getting a rosewood model...which I did. However, that Tawny Satinwood sounded great! It sold quickly.
I think if people chose guitars blindfolded, some of those lower price Martins would rate pretty high.
Now the X series comes with onboard tuning. I'm waiting for some of the PA electronics to migrate to the lower price Martins. I asked Chris Martin about this and he said they're reluctant to make a guitar where the electronics cost more than the guitar. Well, NAMM is coming up shortly...I'm curious what they have in store.