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Martin Owners

For those who own one or more Martin guitars, those who want to own a Martin, or those who just like talking about Martins

Members: 483
Latest Activity: on Tuesday

Discussion Forum

dumb ass thing to do 8 Replies

Started by joey pinter. Last reply by Terry Angelli on Tuesday.

anyone been to the exhibit at the Met Museum?

Started by michael schwartz on Monday.

Finally making the pilgrimage to Nazareth! 21 Replies

Started by Jud Hair. Last reply by Jud Hair Oct 17.

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Comment by Guy Carlsen on November 22, 2011 at 9:37am

I have the GPCPA1 with the Fishman Aura system and agree with Jud, just sounds great when plugged in.  I have been a loyal fan for over 40 years with my D35 but if I'm plugging in the PA1 is the one I reach for.  I got it used via internet from a Guitar Center in Raleigh for $1,000 off their new price and with a 30-day no questions asked return policy.  No thought of sending it back, have now for about 6 months.

Comment by FloridaGull on November 21, 2011 at 7:15pm
Well, there ya go! Some of these people belong on "World's Dumbest Criminals"...
Comment by Edward Sparks on November 21, 2011 at 6:35pm

Michael, Jud and FloridaGull,  My theft story!

 

 I don't have any pre-war instruments or any worth tens of thousands to another collector or player, but I am so grateful to have what I have and for many reasons, some of the based on monetary value, some on heartfelt sentimental connections, and some just "because."  I currently own about 30 instruments most of which are acoustic guitars, and each one of them has a meaning to me.  Five of those 30 were willed to me when one of my best friends passed away back in 1993, and so, as you can imagine, they hold great sentimental value. I too have had two instruments stolen, a 1980 Guild JF212XL (not available to be replaced at the time of the theft) and a Hofner Beatle bass given to me as a present from my wife. I miraculously (as the police put it) got them both back when the fool stayed local and tried to sell them to the local Guitar Center, where they know me well enough to think I have stock!  I couldn't believe the feeling of violation when they were not where I left them in a "safe storage spot" after a gig.  I sweated out 6 long weeks before I got a call from the police (about ten minutes before as we were about to hit the first chord in a benefit for people with disabilities) and they had the guy at the local Guitar Center with both of them!  During those 6 weeks I tried to replace the 12 string first and realized that since I bought it new in 1980, that model had been discontinued and I had only two models to choose from that were still American made by Guild at the time. Each of those had lots of inlay and were beautiful, but not nearly as much as my plainly appointed Guild, and to add insult to injury, my best cash price for the replacement was going to be $2400…a lot more than the $800 I paid for the original!  But, I had no other 12 string at the time except for a Martin D-28-12 that needed a neck reset and wouldn’t be able to be tuned to pitch…so, I had my local guitar shop order me both models and planned to choose one when they came in.  In the meantime, I got the call mine were recovered.  However, like I said, we were far away and just about to play for this benefit and the policeman was saying on the phone that if I didn’t get down there and identify them in the next 15 minutes, they would both become evidence in the case and I wouldn’t get them back until he went to trial, which could be over 6 months!!! I knew that wasn’t going to happen, so I asked if my agent could come and ID them and they said yes, but it had to be quick!  So, I called my wife, who also happens to be my agent, and she booked it on over and got them!  The police told her that I must have some kind of good luck because this recovery thing almost NEVER happens!  The manager, upon seeing the Hofner bass and not thinking that it was a good match of an instrument for the young man offering it up, said he checked my flyer, realized it was mine and came back to the counter…he told the guy to give him a few minutes to look up this bass so he knew what to offer him for it and then, almost as an afterthought, told the guy that since he wanted cash it was company policy to have an ID…they thief then handed him his driver’s license with all of his information and he went to his office and called the police!   So, I got them both back and even though I was careful before, I am really careful now.  I offered the Guitar Center manager, who was the one who recognized my instruments and cleverly detained the guy until the police came, a reward, but he said he couldn’t take it and that they would donate it to charity…Anyway, that’s my story with a happy ending about theft… Thanks, Edward

Me with Guitar Center manager and Hero, Matt Bower


Comment by Michael S. Jackson on November 21, 2011 at 2:27pm

Personnally, I like the "1s." I played all three models in the OM line and really liked the higher end model and it's not just a case of how my daughter used to go straight to the higher priced clothes on the rack! I really believed it had the best tone and I love the wood binding.

I'll buy one someday, but at $3,000 today won't be that day.

Comment by Jud Hair on November 21, 2011 at 2:08pm

@ Michael ... That's a pretty good price.  The "Performing Artist" series is one of the hottest things going at Martin right now.  Not only is Martin pushing them aggressively, but they are pricing them very attractively for what you get.  I paid $1,080 including tax for my brand new DCPA4.  GC had a used one recently for only $795, but it had a really funky looking top, that I think probably put some buyers off even though it played fine.  There were absolutely no used ones available when I bought mine because the line was so new.  Getting a 2011 model for $850 would have been real tempting, but I like the security of my Martin warranty.

Comment by Alan Land on November 21, 2011 at 1:54pm

I have all those numbers recorded today. Sadly, I lost my "love" in 1985. It was a D-28S that I bought new in 1969 and played exclusively until that time. I stayed drunk for about three days.

Comment by Michael S. Jackson on November 21, 2011 at 1:52pm

Saw this at Elderly today:

MARTIN OMCPA4 (2011)  
 EC+, Performing Artist Series, 000 size body, solid Sitka spruce top with hybrid scalloped bracing and soft cutaway, black binding, 2-ring multi-layered black/white rosette, tortoise pickguard, Sapele back and sides, 14-fret mahogany neck with Performing Artist profile, 1-3/4" nut, black Richlite fretboard (25.4" scale), offset white position dots, black Richlite bridge with Tusq saddle, chrome enclosed Martin tuners, Fishman F1 pickup system with chromatic tuner, with flat-lid OHSC (green lining) (SN:1473806)   
10U-5932.....$850.00     [Martin Guitars]
http://www.elderly.com/vintage/items/10U-5932.htm

Comment by Michael S. Jackson on November 21, 2011 at 1:46pm

Gull - Good advice. To go along with that, I also photograph my stuff with particular attention to identifying features and marks (and a close up of the model and serial numbers). Keep these in two separate locations - one at home and, in case of fire or other disaster, one away from home.

It's good to hear about someone getting their guitar back. Edward Sparks got a couple of his back - it's extremely rare.

Ths - m

Comment by FloridaGull on November 21, 2011 at 11:56am

Always remember/record your serial number!

Comment by Jud Hair on November 21, 2011 at 11:47am

Another strong example of the reason for officially registering your Martin ... not only for warranty purposes, but for positively identifying you as the owner if your guitar is stolen.

 

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