Rob van Leuven posted a photo
Rob van Leuven replied to Brent McElroy's discussion Let's see some pictures! in the group Guitar Makers
Rob van Leuven replied to Janice Hamilton's discussion Guitar tops from PINE? in the group Guitar Makers
Rob van Leuven replied to Luis Motta da Silva's discussion Making a Parlor Guitar (using the remains of an old instrument). in the group Guitar Makers
Tamas Lukasczik (Sunday) left a comment for Rob van Leuven
Rob van Leuven left a comment for Luis Motta da Silva
Luis Motta da Silva left a comment for Rob van LeuvenAdded by Rob van Leuven
Added by Rob van Leuven
Tamas Lukasczik (Sunday) said…
Luis Motta da Silva said… Well, Rob,
After watching these videos of yours, one thing we may be sure of: the only similarty between an Iris bouzouki and a Portuguese gutar is the soundbox shape...
Nevertheless, I did enjoy the songs (mostly whisky in the jar), and I did like the sound of your instrument. I also think you three make a very nice sound
By this time, you probably have seen the videos and heard the audio tracks I posted. It's a world of difference between my music and yours, but what would happen to green if everybody fancied yellow?
Luis Motta da Silva said… Hi, Rob,
To be honest, I don't know how a bouzouki is tuned.
The tuning of Portuguese guitar is absolutely demential:
1st pair: bb
2nd pair: aa
3rd pair: ee
4th pair: bB
5th pair: aA
6th pair: dD
meaning that the 3 first pairs are tuned in unison and the 3 last pairs are tuned in octaves.
I also don't know much about the origins of bouzoukis. Have they evolved from mandolins? And how the hell was that migration from Greece to Ireland?
Portuguese guitars too have an interesting story: they seem to descend from old European citterns, but there was an inportant influence of the 18th century " English Gittars".
One of the particular featutures of the Portuguese guitars is the top strutting: they have three transverse bars, the first near the neck aproximately under the 15th fret, the other two right before and right after the bridge. But there is also a longitudinal bar uniting the third transverse bar to the tailblock. This longitudinal bar is put in place under pressure to counteract the string tension on the bridge..
I'd be delighted to discuss any aspect of instrument making with you...
Luis Motta da Silva said… Hi, Rob,
Just accepted your friendship offer, thank you! Did you have a look at my page recently? I posted a picture and some soundtracks of my trio... hope you enjoy those...
Luis Motta da Silva said… Check Out the Latest in Acoustic Guitar
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