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I have small hands to begin with, so I have to use barre chords for bass notes anyway, even on a simple bass line tune like Anjie. A lot of fingerstyle players do the "thumb-thing" to an extent, but Duck, to quote Kottke talking about Hedges, "has a left hand like an octopus". I have that instructional video of his and it's more like sci-fi than documentary.
I wonder what model/who made his nylon? Did it have built in electronics? Most steel strings are designed with electronics in mind, where classicals aren't. Also consider Byrd played ONLY classical, which has a very different attack and physical considerations (nail shape, rest/free stroke, first digit tension, etc.) while Duck plays both. Most steel players that "dabble" on nylon aren't as subtle as they could be, but it's because they're used to muscling through on steel with fingerpicks. Not making excuses, though. Should Duck be more subtle on nylon? Most certainly. I guess I just appreciate the effort to get a warmer sound and try something different.
That's cool he played your guitars! I'd never wash them again ;-)
So did you pick up any pointers during your conversation? As a pro yourself, I'm sure you skip the "Gee, how to you keep your thumb moving like that?" question. When I chat with "name" guitarists I try to avoid any student or technical-type questions and usually just talk about their guitars or the pieces they chose to play and why.
I feel pretty out of place being a flute player here in guitar land, but want to learn more.....
Cheers
I just wanted to let you know you inspired me.
I got back to work on Ashokan Farewell and it's coming along pretty well.
It's not great, but I don't have to say I can't get it to work any more.
Thanks for the boost.